Gloria Withalm

Artikel (Zeitschriften und Sammelbände) online
Articles (Journals and Collective Volumes) online


  “‘Tom’s Gone. He Left the Film’. When Film Characters From Both Sides of the Screen Start to Interact” [pdf download prepub + original PowerPoint presentation].

In: Martinelli, Dario (ed.). Proceedings of the 13th IASS-AIS World Congress of Semiotics, Kaunas, 26-30 June 2017.
[download pre-pub + ppt-presentation:[Screen-Passage_prepub]

  “Sigrid Schmid-Bortenschlager”.

In: Korotin, Ilse & Nastasja Stupicki (eds.). Biografien bedeutender österreichischer Wissenschafterinnen. „Die Neugier treibt mich, Fragen zu stellen“. Wien-Köln-Weimar: Böhlau 2018, 760–772
Web online (download book): OpenAccess@Böhlau

Revelio! A (Socio-)Semiotic Reading of the Harry Potter Saga” [pdf download includes original PowerPoint]

In: Bankov, Kristian (ed). New Semiotics. Between Tradition and Innovation. Proceedings of the 12th World Congress of Semiotics. Sofia: IASS Publications & NBU Publishing House 2016,
Web online (pdf proceedings, my paper + ppt-presentation): http://www.uni-ak.ac.at/culture/withalm/wit-pdfs/Withalm2017_12IASS-2014.pdf
Web online (pdf proceedings book): http://iass-ais.org/proceedings2014/Semio2014Proceedings.pdf
Web online (html proceedings): http://www.iass-ais.org/proceedings2014/view_lesson.php?id=30 (ISSN 2414-6862)

An Overview on Semiotic Activities in Austria and Jeff Bernard’s Role in the Semiotic Community”.

In: Our World: A Kaleidoscopic Semiotic Network. Proceedings of the 11th World Congress of the IASS/AIS, Nanjing Normal University, 5–9 October 2012, Vol. 3. Nanjing: Hohai University Press 2014, 239–261
book info: www.hhup.com/ProductShow.asp?ID=2706
pre-publication: Withalm 2012/2014
Web online (pdf proceedings: my paper + ppt-presentation): http://www.uni-ak.ac.at/culture/withalm/wit-pdfs/Withalm2014_11IASS-2012.pdf
Web online (pdf proceedings book): htttp://iass-ais.org/proceedings2012

Filmic Communication on Controlling Film Culture: The Presentation of Movie Censorship within a Movie”.

In: Cantero, Pilar Couto, Gonzalo Enríquez Veloso, Alberta Passeri & José María Paz Gago (eds.). Culture of Communication, Communication of Culture. Proceedings of the 10th World Congress of the International Association for Semiotic Studies IASS-AIS, La Coruña, 22-26 September 2009. A Coruña: Universidade da Coruña/Servizo de Publicacións, 2133–2145
DVD: Mi%20disco://works/Withalm,%20Gloria.pdf
Web online (pdf proceedings, my paper + ppt-presentation): http://www.uni-ak.ac.at/culture/withalm/wit-pdfs/Withalm2012_10IASS-2009.pdf
Web online (pdf proceedings book): htttp://iass-ais.org/proceedings2009

From Il nome della rosa back to ‘The Abbey of the Crime’? Texts by Umberto Eco and Jean-Jacques Annaud – a Comparison”.

In: Petrilli, Susan (ed.). Approaches to Communication. Trends in in Global Communication Studies. Madison WI: Atwood Publishing 2008, 347-370

Le film dans le film. Un modèle socio-sémiotique d’autoréferentialité filmique”.

In: Louis Panier & Bernard Lamizet (eds.). Signs of the World. Interculturality and Globalization. Proceedings of the 8th Congress of the IASS-AIS, Lyon 2004 / Les signes du monde – Interculturalité et globalisation. Lyon 2007, DVD: WITHALM_pdf_20061109071118

Media Semiotics – an Overview”.

Paper presented at “Media Semiotics Today – Mediensemiotik heute“. 9th Austrian-Hungarian Semio-Philosophical Colloquium/9. Österreichisch-Ungarisches Semio-Philosophisches Kolloquium. Dunabogdány, Hungary, October 30–31, 2004

Reconsidering Filmic Self-Referentiality in Terms of Rossi-Landian Concepts”.

In: Petrilli, Susan (ed.)(2004). Lavoro immateriale (= Athanor – arte, letteratura, semiotica, filosofia. 7). Roma: Meltemi, 325-335

Recycling Dorothy, Dinosaurs, and Dead Actors. Digi-Textuality in the TV-Commercials of the 1990s”.

Semiotische Berichte 27(1-4)2003, pp. 297-315
[= Bernard, Jeff & Gloria Withalm (eds.). Medien alt und neu. 8. Österreichisch-Ungarisches Semio-Philosophisches Kolloquium, Györ 2002 / Media old and new. 8th Austro-Hungarian Semio-Philosophical Colloquium]

Commercial intertextuality”.

In: Petrilli, Susan & Patrizia Calefato (eds.) (2003). Logica, dialogica, ideologica. I segni tra funzionalità ed eccedenza. Milano: Mimesis 2003, 425-435

Reflexive Commercials, oder: ‘I didn’t know Shaq could ride a horse’”.

Semiotische Berichte 26(1-4)2002, pp. 233-253
[= Bernard, Jeff, Peter Grzybek & Gloria Withalm (eds.). Form – Struktur – Komposition. Pragmatik & Rezeption / Form – Structure – Composition. Pragmatics & Reception. Kongressakten/Proceedings Offene Grenzen/Open Borders 2001]

‘You turned off the whole movie!’ – Types of Self-reflexive Discourse in Film”.

In: Tasca, Norma (éd.) (in preparation). Perception et conscience de soi dans les arts et les sciences. (= Cruzeiro Semiotico). Porto

From Ai no corridato Zombie: The dead body on the screen”.

In: Gimate-Welsh, Adrián (ed.) (1999). La Semiótica. Intersección entre la Naturaleza y la Cultura – Semiotics Bridging Nature and Culture – La Sémiotique: Carrefour de la nature et de la culture. Proceedings of the 6th Congress of the International Association for Semiotic Studies, Guadalajara 1997. CD-ROM
[file: "NATURE&CULTURE/ESPACIO FILMICO/FILMICO 6.PDF"]

Der Blick des Films auf Film und Kino. Selbstreferentialität und Selbstreflexivität im Überblick”.

In: Latzer, Michael (Hg.) (1999). Die Zukunft der Kommunikation. Phänomene und Trends in der Informationsgesellschaft. Innsbruck-Wien: Studien-Verlag, pp. 147-160

The Same Dress – Another Character. Costume as a Self-Referential Device in Movies”.

In: Tasca, Norma (ed.) (1995). Ensaios em homagem a / Essays in Honor of Thomas A. Sebeok (= Cruzeiro Semiotico 22-25), pp. 225-232


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Created: 20 August 2000, Last Update 17 October 2018